Moi César, 10ans 1/2, 1m39, directed by Richard Berry in 2003, features Jules Sitruk, alongside Maria de Medeiros and Richard Berry. The film adopts the point of view of Caesar, ten and a half years old, who tells his world with his words, his fears and his impulses.

Through his childlike gaze, César observes his parents, their fragile love, their silences, their flaws. He tries to understand what is cracking, what is hidden behind the adults. Between humor, naivety and disarming lucidity, the film tells a childhood crossed by worry but also by a deep tenderness.

The visual aesthetic remains simple, soft, close to reality. The light is natural, often warm, the colors discreet. The camera is placed at child’s height, attentive to faces, gestures, and details of everyday life. The rhythm is calm, giving way to emotion without ever emphasizing it.

In this context, image post-production and calibration aim at restraint. It is about harmonizing the atmospheres, preserving the softness of the tones and the sincerity of the looks. A delicate finish, thought to accompany the emotion without constraining it.

Thanks to a know-how combining technical rigor and cinematographic sensitivity, post-prod sublimated this visual material faithful to its mission: to give each image the accuracy of an emotion.