All About love
Cinema All about love Creation : Jean-François Richet, Yazid Aït With : Virginie Ledoyen, Mar Sodupe, Stomy Bugsy Broadcast : Cinéma All About Love, directed by Jean-François Richet, follows Maria (Virginie Ledoyen), a young woman longing to break free from the dull weight of her everyday life. She drifts toward a world where spontaneity brushes against the inevitable. Along the way she crosses paths with Manu (Stomy Bugsy) and Pascal (Bruno Putzulu), and the fragile balance of her search begins to falter. Set in the outskirts of contemporary France, the story unfolds where ambition often collides with a tougher reality. The visual world leans into a raw, almost documentary light: the rough texture of peeling walls, muted reflections in late-night neon, the steady rhythm of footsteps in a subway corridor or along a worn-out street. Shadows and cool tones shape a suspended atmosphere, a space where hope and tension overlap. It is a work of image post-production that embraces texture, grain, and the intimacy of faces where silence itself seems to surface. Image post-production Sound post-production Broadcast delivery https://digitalfactory.fr/wp-content/uploads/2025/11/DE-LAMOUR-Bande-annonce-VF-480.mp4
15 août
Cinema 15 Août Creation : Patrick Alessandrin, Lisa Azuelos With : Richard Berry, Charles berling, Jean-pierre Darroussin Broadcast : Cinéma With 15 Août, Patrick Alessandrin delivers a bittersweet comedy starring Richard Berry, Charles Berling, and Jean-Pierre Darroussin. Three men, left behind by their partners for a seaside weekend, find themselves confronting solitude, friendship, and rediscovery. Beneath its light-hearted surface, the film explores the quiet vulnerability of men and the bonds that hold them together. Image post-production carries the warmth and nostalgia of summer: golden light, sun-washed tones, and gentle textures that capture the suspended rhythm of vacation days. The color grading balances brightness and introspection, evoking both laughter and longing in every frame. Digital Factory brought this atmosphere to life with delicate precision, restoring the harmony between comedy and tenderness. A faithful expression of the studio’s mission to shape light and texture in service of emotion. Image post-production Sound post-production Broadcast delivery https://digitalfactory.fr/wp-content/uploads/2025/11/15-aout-2001-Bande-annonce.mp4
The crimson rivers 2
Cinema The Crimson rivers 2 Angels of apocalypse Creation : Olivier Dahan, Luc Besson, Jean-Christophe Grangé With : Jean Reno, Benoit Magimel, Camille Natta Broadcast : Cinema In The Crimson Rivers 2: Angels of the Apocalypse, Olivier Dahan extends and transforms Kassovitz’s universe. Jean Reno returns as Commissioner Niemans, drawn into an esoteric labyrinth where ancient rituals and modern crimes collide. Between sacred symbolism and mortal urgency, the film unfolds a tension that is both mystical and visceral. Image post-production amplifies this duality: golden light seeping through stone and dust, dense shadows sculpting faces like sacred icons. The deliberately textured grain vibrates with the tension between faith and flesh. Each sequence balances violence and contemplation, shaping an aesthetic of controlled chaos. Digital Factory guided this vision through meticulous, sensory color grading, the chromatic density and narrative clarity envisioned by the director. A post-production gesture devoted to light, tension, and mystery true to the studio’s mission: giving every image the precision of emotion. Post-production image Post-production son livraisons aux diffuseurs https://digitalfactory.fr/wp-content/uploads/2025/11/Les-Rivieres-pourpres-2-2004-Bande-Annonce-VF.webm
The crimson rivers
Cinéma The crimson rivers (2000) Création : Mathieu Kassovitz, Jean-Christophe Grangé Avec : Jean Reno, Vincent Cassel, Nadia Farès Diffusion : Cinéma In The Crimson Rivers, Mathieu Kassovitz leads Jean Reno and Vincent Cassel through an investigation at the edge of reason, where every clue hides something older, darker. Between oppressive mountains and charged silences, the film builds a mineral world, tense and sacred, where violence meets faith. Image post-production exposes the story’s sensory force: dusk-like light eroding the landscapes, contrasts of surgical precision, and a cold palette that sustains visceral tension. Each frame breathes both fear and fascination, holding the line between thriller and mysticism. Digital Factory shaped this visual matter with precision through color grading and finishing that sculpt shadows, refine density, and vibration. Because at the heart of every image lies an emotion waiting to be revealed. Image Post-production Sound Post-production Broadcast delivery https://digitalfactory.fr/wp-content/uploads/2025/11/Les-Rivieres-pourpres-2000-Bande-annonce-Version-Fra.mkv
Murderous Maids
Cinema Murderous Maids Creation : Jean-pierre Denis, Michèle Pétin, Paulette Houdyer With : Sylvie Testud, Julie-Marie Parmentier, Isabelle Renauld Broadcast : Cinema Led by the haunting performances of Sylvie Testud and Julie-Marie Parmentier, Murderous Maids retraces the tragic fate of the Papin sisters, housemaids bound by a fusion of devotion and violence. Between social oppression and psychological vertigo, Jean-Pierre Denis paints a portrait of alienation that feels both intimate and universal. In this taut and luminously austere work, the image post-production reveals the film’s sensitive core: sharp light, cold and organic textures, a grain that breathes tension. The visual rhythm mirrors the protagonists’ descent into madness, turning every silence into an emotional detonation. Precision in contrast and chromatic balance sharpens the blurred frontier between reality and delirium. Through a craft that combines technical mastery with cinematic sensitivity, the studio sublimated the film’s texture true to its mission: giving every image the precision of emotion. image post-production sound post-production Broadcast delivery https://digitalfactory.fr/wp-content/uploads/2025/11/Les-blessures-assassines-Bande-Annonce-VF.mkv
The Dancer
Cinema The Dancer (2000) Creation : Frédéric Garson, Jessica Kaplan, Luc Besson With : Mia Frye, Garland Whitt, Rodney Eastman Broadcast : Cinema In The Dancer, directed by Frédéric Garson and starring Mia Frye, the body becomes a language. This singular film blends performance, electronic music, and visual abstraction to explore the delicate boundary between movement and emotion. Here, the image takes center stage, captured, shaped, and amplified through a demanding process of image post-production, where rhythm imprints itself on every frame. Contrasts, organic textures, rhythmic fades: each visual choice extends the musicality of gesture and the physicality of dance. Post-production becomes a continuation of movement, a breath, a pulse. Digital Factory supported this unique work with an approach both technical and sensitive, revealing the film’s full sensory dimension. A collaboration where technology fades away, allowing visual emotion to take the lead. image Post-production Son Post-production Broadcast delivery https://digitalfactory.fr/wp-content/uploads/2025/11/The-Dancer-Bande-annonce-Version-Francaise.mkv
Exit
Cinéma Exit Création : Olivier Megaton Avec : Patrick Fontana, Féodor Atkin, Manuel Blanc Diffusion : Cinéma Directed by Olivier Megaton, Exit immerses the viewer in the psyche of a methodical serial killer wandering through a cold, dehumanized Paris. Between shadows, silences and fragmented visions, the film explores the fine line between reason and madness, within a visual universe both tense and meticulously crafted. Created at a pivotal moment for a new generation of French filmmakers, Exit emerged from a technically forward-thinking environment that marked the dawn of a new era — one where post-production became more integrated, more attuned to the art of storytelling. Through its mastery of framing, precision editing and visual exploration of a mental Paris, Exit embodies the early traces of a visual language that Digital Factory has since refined: imagery serving narrative intensity, where technology quietly amplifies emotion. Image Post-production Sound Post-production Broadcasts Delivery https://digitalfactory.fr/wp-content/uploads/2025/11/EXIT-Disponible-en-DVD-et-Blu-Ray-le-19-juin-2013-SNJ6qo-lvBY.mkv
Taxi 4
Cinema Taxi 4 Creation : Luc Besson & Gérard Krawczyk With : Samy Naceri, Frédéric Diefenthal, Bernard Farcy Broadcast : Cinema Directed by Gérard Krawczyk and produced by Luc Besson for EuropaCorp, Taxi 4 marks the return of Marseille’s iconic duo in another fast-paced action comedy. This time, Daniel and Émilien get caught up in the escape of a dangerous international criminal, leading to a series of high-speed chases and comic mishaps. Digital Factory contributed to the image and sound post-production, taking part in the finishing and mastering stages. The team applied its expertise to ensure the film’s visual and sound quality, helping to maintain the dynamic identity and signature tone of the Taxi franchise. Image Post production Sound Post production Broadcaster delivery https://digitalfactory.fr/wp-content/uploads/2025/10/Taxi-4-Bande-Annonce-VF-HD.mp4
Taxi 3
Cinema Taxi 3 Creation : Luc Besson, Gérard Krawczyk With : Samy Naceri, Frédéric Diefenthal, Bernard Farcy Broadcast : Cinema Directed by Gérard Krawczyk and produced by Luc Besson for EuropaCorp, Taxi 3 continues the adventures of Daniel and Émilien in another action-packed chapter filled with humor and spectacular stunts. This time, the duo faces a gang disguised as Santa Claus causing chaos in Marseille. Digital Factory supported the production during the image and sound post-production, contributing to the finishing and mastering stages. The team ensured the film’s technical and artistic consistency, maintaining the high visual and sound quality that defines the Taxi franchise. https://digitalfactory.fr/wp-content/uploads/2025/10/Taxi-3-2003-Bande-annonce.mp4
Taxi 2
Cinema Taxi 2 Creation : Luc Besson, Gérard Krawczyk With : Samy Naceri, Frédéric Diefenthal, Emma Wiklund, Marion Cotillard, Bernard Farcy Directed by Gérard Krawczyk and produced by Luc Besson for EuropaCorp, Taxi 2 continues the explosive universe established by the first film. Mixing comedy with spectacular action sequences, the movie takes Daniel and Émilien on a new high-speed adventure, this time in Paris. Digital Factory contributed to the image and sound post-production, supporting the finishing and mastering stages. The team ensured technical precision and visual and sound fluidity, maintaining the aesthetic continuity and fast-paced energy of the franchise. https://digitalfactory.fr/wp-content/uploads/2025/10/Taxi_2_BA_HD_Sound_Ok.mp4