Les Côtelettes

Cinema Les Côtelettes Creation : Bertrand Blier With : Philippe Noiret, Michel Bouquet, Farida Rahouadj Broadcast : Cinema Les Côtelettes, a film by Bertrand Blier released in 2003, brings together Philippe Noiret, Michel Bouquet and Farida Rahouadj in a dramatic comedy inspired by the play of the same author. One evening, “The Old Man” arrives at Léonce’s home, his son, and triggers a conversation that quickly shifts towards intimacy: women, love, desire, relationship with others. Soon, Nacifa, the young cleaning lady, intervenes in their exchanges, disturbing their certainties and relationships, while a singular presence that of ‘ The death’ hangs over their words. The visual universe of the film plays on the proximity of bodies and looks, muted interiors, dim lights and subtle contrasts. The aesthetic favors the material of faces, the warmth of tones, delicate shadows, creating an almost theatrical atmosphere on the screen. The camera, often intimate, captures suspended moments where the texture of light acts as an extension of the dialogues. In this context, image post-production and calibration are allies to refine the nuances, reinforce the naturalness of the atmospheres and accompany the voice of the actors without artifice. Image post-production Sound post-production Broadcast delivery https://digitalfactory.fr/wp-content/uploads/2025/12/Les-Cotelettes-Bande-Annonce.mkv Retour

The transporter

Cinema The Transporter Creation :  Louis Leterrier, Corey Yuen, Luc Besson With : Jason Statham, François Berléand, Shu Qi Broadcast : Cinema The Transporter, directed by Louis Leterrier and Corey Yuen (2002), stars Jason Statham as Frank Martin, an ex-military man who became a ‘transporter’: he delivers anywhere, anything, for the right price, without question. Visually, the film adopts a tense style. We find city lights, neon lights, closed interiors, an aesthetic sometimes cold and mechanical, counterbalanced by the warm and natural light of the south of France. All with a nervous and breathless rhythm. The image translates danger, the race against time. In this context, calibration and finishing reinforce the impact, emphasize contrasts, accentuate shadows, give clarity to artificial lights, to bring out tension and urgency. An image post-production work that preserves the intensity without falling into excess. Image post-production Sound post-production Broadcast delivery https://digitalfactory.fr/wp-content/uploads/2025/12/The-Transporter-Trailer.mp4 Retour

La felicità non costa niente

Cinema La felicità non costa niente Creation : Mimmo Calopresti, Francesco Bruni With : Mimmo Calopresti, Francesca Neri, Vincent Perez Broadcast : Cinema La felicità non costa nienten (The happiness does not cost anything), directed by Mimmo Calopresti in 2003, brings together Vincent Perez, Valeria Bruni-Tedeschi and Calopresti himself. The film follows Sergio, an apparently fulfilled man whose life is turned upside down after an accident. This shock pushes him to question his relationship, his certainties and his way of life until he seeks a more essential happiness, far from the habits that stifled him. The visual universe is based on soft lights, simple textures, calm atmospheres. The camera observes rather than emphasizes. The colors, light and sometimes melancholic, accompany this inner quest. Each shot seems carried by a slow, almost meditative rhythm, where emotion is born from silence as much as from gestures. Image post-production and calibration refine the material without weighing it down. The work involves preserving sobriety, enhancing the clarity of lights and the softness of contrasts. Digital Factory seeks here the nuance: to sublimate discreetly, while respecting the director’s intention. Image post-production Sound post-production Broadcast delivery https://digitalfactory.fr/wp-content/uploads/2025/12/LA-FELICITA-LE-BONHEUR-NE-COUTE-RIEN-Bande-annonce-VO.mp4 Retour

Blanche

Cinema Blanche Creation : Bernie Bonvoisin WIth : Lou Doillon, Carole Bouquet, Roschdy Zem Broadcast : Cinéma In Blanche (2002), directed by Bernie Bonvoisin, Lou Doillon embodies Blanche, an elusive young woman, marked by a deep fragility and a relationship to the world made of impulses and withdrawals. When she meets Sam (played by Roschdy Zem), a sincere man, solid, almost too stable for her, a relationship develops intensely, disorderly, impossible to contain. Visually, Blanche sets up an atmosphere with skin sensitivity: the light seems to glide over surfaces like a fragile breath, illuminating faces with an almost painful softness.The calibration favors shades: light shadows, pastel colors, muted contrasts. Image post-production Sound post-production Broadcast delivery https://digitalfactory.fr/wp-content/uploads/2025/12/BLANCHE-Bande-annonce-VF.mp4

Aram

Cinéma Aram Création : Robert Kéchichian Avec : Simon Abkarian, Lubna Azabal, Mathieu Demy Diffusion : Cinéma The film Aram, directed by Robert Kéchian, follows the journey of Aram Sarkissian, a former Franco-Armenian activist who returns clandestinely to France. He must organize a purchase of weapons but even more so face the ghosts of an ancient attack, the one that partially destroyed his family. Visually, Aram deploys a dark, grainy, almost documentary aesthetic, the alleys of Paris are bathed in heavy shadows, with raw urban lights. In image post-production, the calibration accentuates this harsh atmosphere: desaturated ochres, dense blacks and neon or halogen lights sculpt tense faces, evasive glances and heavy silences. Post-production image Post-production son livraisons aux diffuseurs https://digitalfactory.fr/wp-content/uploads/2025/12/ARAM-Bande-annonce-VF-son-balance.mp4

La turbulence des fluides

Cinema La turbulence des fluides Creation : Manon Briand Avec : Pascale Bussières, Julie Gayet, Geneviève Bujold Broadcast : Cinéma The film La Turbulence des fluides, directed and scripted by Manon Briand, tells the story of Alice Bradley, a seismologist in Tokyo, sent to her hometown of Baie-Comeau in Quebec, after a strange phenomenon: the tide suddenly stopped on the estuary of the St. Lawrence River. As Alice digs into the anomaly, she understands that the maritime phenomenon seems linked to an ancient and collective drama between memory, mystery, and the resurgence of memories. The visual rhythm becomes contemplative, the emotion contained, the air charged with expectation, as if the landscape itself was holding its breath. Each shot exudes an inner tension enhanced by post-production. Image post-production Sound post-production Broadcast delivery https://digitalfactory.fr/wp-content/uploads/2025/11/LA-TURBULENCE-DES-FLUIDES-Bande-annonce-VF.mp4

Irène

Cinema Irène Creation :  Ivan Calbérac,  Eric Assous With : Cécile de France, Bruno Putzulu, Olivier Sitruk Broadcast : Cinema The film Irène, directed by Ivan Calbérac, highlights Cécile de France in the role of Irène, a thirty-something Parisian with a  good work, surrounded by faithful friends but who is looking for a sincere love. After a series of failed attempts, Irène crosses the path of François, a worker who has come to refresh his apartment. Little by little, what seemed a simple agreement of convenience turns into a possible authentic bond, releasing in her the hope of a true love. actually, the film establishes a subtle contrast between the airy modernity of Paris and the inner fragility of Irene. The atmosphere oscillates between daytime urban elegance and the intimacy of apartments with soft and subdued colors. In terms of calibration, the light feel almost airy, filtered like a delicate veil on the faces, while the interiors reveal muted textures inviting the eye to linger over the nuance, the sigh, the silence. The image post-production make each shot seems to breathe the desire for delicacy: the visual rhythm marries the hesitations of the heart, Irene’s hesitations between desire, doubt and hope, revealing the vulnerability and softness of her aspirations. image post-production Sound post-production broadcast delivery https://digitalfactory.fr/wp-content/uploads/2025/11/IRENE-Bande-annonce-VF.mp4

La guerre à Paris

Cinema La guerre à Paris Creation : Yolande Zauberman, Gérard Brach With : Jérémie Renier, Élodie Bouchez, Grégoire Colin Broadcast : Cinema The film La guerre à Paris, directed by Yolande Zauberman and co-written with Gérard Brach, stars Jérémie Renier as Jules, a 19-year-old Jewish man living in occupied Paris. In this historical drama, Jules is torn between passivity and action, betrayal and commitment, while his younger brother, Thomas, tries to resist the German occupation. Visually, the film employs a palette of muted light and heavy shadows: the Parisian streets under the Occupation are bathed in an almost metaphysical chiaroscuro, while the enclosed and hushed family interiors offer a dense and intimate visual texture. image post-production sound post-production Broadcast delivery https://digitalfactory.fr/wp-content/uploads/2025/11/LA-GUERRE-A-PARIS-Bande-annonce-VF_Upscalee.mp4

Peau d’ange

Cinema Peau d’ange Création : Vincent Perez, Karine Silla, Jérôme Tonnerre Avec : Morgane Moré, Guillaume Depardieu, Karine Silla Diffusion : Cinéma The film Peau d’ange, directed by Vincent Perez, which stars Morgane Moré as Angèle, accompanied by Guillaume Depardieu, Karine Silla, Magali Woch and Dominique Blanc.Angèle, fresh out of her countryside, leaves her village to work as a servant in a large bourgeois mansion. When she meets Grégoire, a man haunted by grief. A night of intense love transforms for her in search of love, recognition, and revenge. Visually, the film establishes a striking contrast between the space of the countryside and the urban solitude of a small provincial town: the subdued light filters through the old shutters, the bourgeois interiors resonate with a hushed echo, while the materiality of the decor gives the texture of the image an almost tactile density. The spectator is invited to immerse himself in the tension of a silent desire, in the pulp of a broken dream. Image post-production Sound post-production Broadcast delivery https://digitalfactory.fr/wp-content/uploads/2025/11/Peau-dange-Film-Bande-Annonce-VF.mp4

Wasabi

Cinema Wasabi Creation : Gérard Krawczyk, Luc Besson With : Jean Reno, Ryôko Hirosue, Michel Muller Broadcast : Cinema The film Wasabi, directed by Gérard Krawczyk, stars Jean Reno as Hubert Fiorentini, a grumpy and surly curator, alongside Ryōko Hirosue (Yumi) and Michel Muller (Momo). The screenplay by Luc Besson takes us from Paris to Tokyo, in the footsteps of a latent past, an unexpected heritage and a network that does not joke. The light glides between the neon lights of Tokyo and the shadows of Paris, while the texture of the screen becomes raw, sometimes grainy, sometimes smooth like a curtain of rain on windows. The rhythm alternates tension and breathing, the colors changing from a glacier blue to a warm-spice red, like a wasabi rising in the nose. The calibration plays finely on contrasts: the reds are deep, the skins slightly golden, the Japanese-like backgrounds slightly desaturated to better let the characters vibrate. image post-production, reveals every nuance of the cold metal of an aircraft with Yumi’s incandescent gaze thanks to a know-how combining technical rigor and cinematographic sensitivity image post-production sound post-production Broadcast delivery https://digitalfactory.fr/wp-content/uploads/2025/11/Wasabi-Bande-Annonce-VF.webm