Les Côtelettes
Cinema Les Côtelettes Creation : Bertrand Blier With : Philippe Noiret, Michel Bouquet, Farida Rahouadj Broadcast : Cinema Les Côtelettes, a film by Bertrand Blier released in 2003, brings together Philippe Noiret, Michel Bouquet and Farida Rahouadj in a dramatic comedy inspired by the play of the same author. One evening, “The Old Man” arrives at Léonce’s home, his son, and triggers a conversation that quickly shifts towards intimacy: women, love, desire, relationship with others. Soon, Nacifa, the young cleaning lady, intervenes in their exchanges, disturbing their certainties and relationships, while a singular presence that of ‘ The death’ hangs over their words. The visual universe of the film plays on the proximity of bodies and looks, muted interiors, dim lights and subtle contrasts. The aesthetic favors the material of faces, the warmth of tones, delicate shadows, creating an almost theatrical atmosphere on the screen. The camera, often intimate, captures suspended moments where the texture of light acts as an extension of the dialogues. In this context, image post-production and calibration are allies to refine the nuances, reinforce the naturalness of the atmospheres and accompany the voice of the actors without artifice. Image post-production Sound post-production Broadcast delivery https://digitalfactory.fr/wp-content/uploads/2025/12/Les-Cotelettes-Bande-Annonce.mkv Retour
The transporter
Cinema The Transporter Creation : Louis Leterrier, Corey Yuen, Luc Besson With : Jason Statham, François Berléand, Shu Qi Broadcast : Cinema The Transporter, directed by Louis Leterrier and Corey Yuen (2002), stars Jason Statham as Frank Martin, an ex-military man who became a ‘transporter’: he delivers anywhere, anything, for the right price, without question. Visually, the film adopts a tense style. We find city lights, neon lights, closed interiors, an aesthetic sometimes cold and mechanical, counterbalanced by the warm and natural light of the south of France. All with a nervous and breathless rhythm. The image translates danger, the race against time. In this context, calibration and finishing reinforce the impact, emphasize contrasts, accentuate shadows, give clarity to artificial lights, to bring out tension and urgency. An image post-production work that preserves the intensity without falling into excess. Image post-production Sound post-production Broadcast delivery https://digitalfactory.fr/wp-content/uploads/2025/12/The-Transporter-Trailer.mp4 Retour
La felicità non costa niente
Cinema La felicità non costa niente Creation : Mimmo Calopresti, Francesco Bruni With : Mimmo Calopresti, Francesca Neri, Vincent Perez Broadcast : Cinema La felicità non costa nienten (The happiness does not cost anything), directed by Mimmo Calopresti in 2003, brings together Vincent Perez, Valeria Bruni-Tedeschi and Calopresti himself. The film follows Sergio, an apparently fulfilled man whose life is turned upside down after an accident. This shock pushes him to question his relationship, his certainties and his way of life until he seeks a more essential happiness, far from the habits that stifled him. The visual universe is based on soft lights, simple textures, calm atmospheres. The camera observes rather than emphasizes. The colors, light and sometimes melancholic, accompany this inner quest. Each shot seems carried by a slow, almost meditative rhythm, where emotion is born from silence as much as from gestures. Image post-production and calibration refine the material without weighing it down. The work involves preserving sobriety, enhancing the clarity of lights and the softness of contrasts. Digital Factory seeks here the nuance: to sublimate discreetly, while respecting the director’s intention. Image post-production Sound post-production Broadcast delivery https://digitalfactory.fr/wp-content/uploads/2025/12/LA-FELICITA-LE-BONHEUR-NE-COUTE-RIEN-Bande-annonce-VO.mp4 Retour
Blanche
Cinema Blanche Creation : Bernie Bonvoisin WIth : Lou Doillon, Carole Bouquet, Roschdy Zem Broadcast : Cinéma In Blanche (2002), directed by Bernie Bonvoisin, Lou Doillon embodies Blanche, an elusive young woman, marked by a deep fragility and a relationship to the world made of impulses and withdrawals. When she meets Sam (played by Roschdy Zem), a sincere man, solid, almost too stable for her, a relationship develops intensely, disorderly, impossible to contain. Visually, Blanche sets up an atmosphere with skin sensitivity: the light seems to glide over surfaces like a fragile breath, illuminating faces with an almost painful softness.The calibration favors shades: light shadows, pastel colors, muted contrasts. Image post-production Sound post-production Broadcast delivery https://digitalfactory.fr/wp-content/uploads/2025/12/BLANCHE-Bande-annonce-VF.mp4
Aram
Cinéma Aram Création : Robert Kéchichian Avec : Simon Abkarian, Lubna Azabal, Mathieu Demy Diffusion : Cinéma The film Aram, directed by Robert Kéchian, follows the journey of Aram Sarkissian, a former Franco-Armenian activist who returns clandestinely to France. He must organize a purchase of weapons but even more so face the ghosts of an ancient attack, the one that partially destroyed his family. Visually, Aram deploys a dark, grainy, almost documentary aesthetic, the alleys of Paris are bathed in heavy shadows, with raw urban lights. In image post-production, the calibration accentuates this harsh atmosphere: desaturated ochres, dense blacks and neon or halogen lights sculpt tense faces, evasive glances and heavy silences. Post-production image Post-production son livraisons aux diffuseurs https://digitalfactory.fr/wp-content/uploads/2025/12/ARAM-Bande-annonce-VF-son-balance.mp4
Irène
Cinema Irène Creation : Ivan Calbérac, Eric Assous With : Cécile de France, Bruno Putzulu, Olivier Sitruk Broadcast : Cinema The film Irène, directed by Ivan Calbérac, highlights Cécile de France in the role of Irène, a thirty-something Parisian with a good work, surrounded by faithful friends but who is looking for a sincere love. After a series of failed attempts, Irène crosses the path of François, a worker who has come to refresh his apartment. Little by little, what seemed a simple agreement of convenience turns into a possible authentic bond, releasing in her the hope of a true love. actually, the film establishes a subtle contrast between the airy modernity of Paris and the inner fragility of Irene. The atmosphere oscillates between daytime urban elegance and the intimacy of apartments with soft and subdued colors. In terms of calibration, the light feel almost airy, filtered like a delicate veil on the faces, while the interiors reveal muted textures inviting the eye to linger over the nuance, the sigh, the silence. The image post-production make each shot seems to breathe the desire for delicacy: the visual rhythm marries the hesitations of the heart, Irene’s hesitations between desire, doubt and hope, revealing the vulnerability and softness of her aspirations. image post-production Sound post-production broadcast delivery https://digitalfactory.fr/wp-content/uploads/2025/11/IRENE-Bande-annonce-VF.mp4
La guerre à Paris
Cinema La guerre à Paris Creation : Yolande Zauberman, Gérard Brach With : Jérémie Renier, Élodie Bouchez, Grégoire Colin Broadcast : Cinema The film La guerre à Paris, directed by Yolande Zauberman and co-written with Gérard Brach, stars Jérémie Renier as Jules, a 19-year-old Jewish man living in occupied Paris. In this historical drama, Jules is torn between passivity and action, betrayal and commitment, while his younger brother, Thomas, tries to resist the German occupation. Visually, the film employs a palette of muted light and heavy shadows: the Parisian streets under the Occupation are bathed in an almost metaphysical chiaroscuro, while the enclosed and hushed family interiors offer a dense and intimate visual texture. image post-production sound post-production Broadcast delivery https://digitalfactory.fr/wp-content/uploads/2025/11/LA-GUERRE-A-PARIS-Bande-annonce-VF_Upscalee.mp4
Yamakasi
Cinema Yamakasi Les Samouraïs des temps modernes Creation : Julien Seri, Ariel Zeitoun, Luc Besson, Philippe Lyon With : Malik Diouf, Châu Belle Dinh, Amel Djemel Broadcast : Cinema Yamakasi, directed by Ariel Zeitoun and Julien Seri, follows a group of seven young men from the Paris suburbs, masters of urban movement who defy gravity with instinctive precision. Together, they embark on an unlikely mission to save a child suffering from a severe heart condition. The film’s visual world blends raw energy with a distinctly urban aesthetic: leaps between rooftops, natural light cutting through stairwells, the rough texture of concrete façades and the long shadows of tower blocks set a pace that is both relentless and unexpectedly gentle in certain moments. Image post-production plays a central role here refined grain, strengthened contrasts, and fluid camera motion to capture speed and tension. The frame becomes a playground of its own, every angle carrying the sensation of a jump, a flight, an impact. image post-production Sound post-production Broadcaster delivery https://digitalfactory.fr/wp-content/uploads/2025/11/YAMAKASI-Bande-Annonce-VF.webm
All About love
Cinema All about love Creation : Jean-François Richet, Yazid Aït With : Virginie Ledoyen, Mar Sodupe, Stomy Bugsy Broadcast : Cinéma All About Love, directed by Jean-François Richet, follows Maria (Virginie Ledoyen), a young woman longing to break free from the dull weight of her everyday life. She drifts toward a world where spontaneity brushes against the inevitable. Along the way she crosses paths with Manu (Stomy Bugsy) and Pascal (Bruno Putzulu), and the fragile balance of her search begins to falter. Set in the outskirts of contemporary France, the story unfolds where ambition often collides with a tougher reality. The visual world leans into a raw, almost documentary light: the rough texture of peeling walls, muted reflections in late-night neon, the steady rhythm of footsteps in a subway corridor or along a worn-out street. Shadows and cool tones shape a suspended atmosphere, a space where hope and tension overlap. It is a work of image post-production that embraces texture, grain, and the intimacy of faces where silence itself seems to surface. Image post-production Sound post-production Broadcast delivery https://digitalfactory.fr/wp-content/uploads/2025/11/DE-LAMOUR-Bande-annonce-VF-480.mp4
15 août
Cinema 15 Août Creation : Patrick Alessandrin, Lisa Azuelos With : Richard Berry, Charles berling, Jean-pierre Darroussin Broadcast : Cinéma With 15 Août, Patrick Alessandrin delivers a bittersweet comedy starring Richard Berry, Charles Berling, and Jean-Pierre Darroussin. Three men, left behind by their partners for a seaside weekend, find themselves confronting solitude, friendship, and rediscovery. Beneath its light-hearted surface, the film explores the quiet vulnerability of men and the bonds that hold them together. Image post-production carries the warmth and nostalgia of summer: golden light, sun-washed tones, and gentle textures that capture the suspended rhythm of vacation days. The color grading balances brightness and introspection, evoking both laughter and longing in every frame. Digital Factory brought this atmosphere to life with delicate precision, restoring the harmony between comedy and tenderness. A faithful expression of the studio’s mission to shape light and texture in service of emotion. Image post-production Sound post-production Broadcast delivery https://digitalfactory.fr/wp-content/uploads/2025/11/15-aout-2001-Bande-annonce.mp4